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                          声乐表演中形体艺术的应用探讨

                          时间:2019-02-17 来源:大众文艺 作者:李萌 本文字数:3175字

                            摘    要:星云棋牌官网下载 声乐表演主要是借助人体演绎作品,但是声乐表演不仅需要确保歌声好,还需要确保演出好。在声乐表演中,形体艺术具有协调作用与提升作用,除了声音,每个表演过程需要表演者形体动作进行配合,提升声乐艺术感染力,满足观众审美心理。本文对声乐表演中形体艺术的重要性作了分析,提出形体艺术在声乐表演中的应用对策,为发掘声乐表演的魅力价值打下良好的基础。

                            关键词: 形体艺术; 声乐表演; 重要性; 对策;

                          星云棋牌官网下载   SUOWEISHENGLEBIAOYAN,ZHUYAOJIUSHIJIEZHUBIAOZHUNHUA、ZHENGGUIHUAXUNLIANSHIXIANSHENGYINQINGXIDUHESHENGYINZHUNQUEDUDEDINGWEI,ZHANGXIANYINLEXINGXIANGHEYINLETEDIAN,TONGSHIHAIXUYAOJIEZHUZHENQINGGANBIAODAYINLEMEILI。XINGTIYISHUYINGYONGYUSHENGLEBIAOYANZHONG,JIEZHUTITAIBUFA、MIANBUBIAOQING、SHOUSHIDONGZUODENGCHONGSHISHENGLEBIAOYANNEIRONG,CUSHIGUANZHONGPINWEIYINLEMEILI。XINGTIYISHUYINGYONGDAOSHENGLEBIAOYANZHONG,CUSHIGECIGENGYOUSHENGJI,GECIBIAODAYIJINGYEJIAOWEICHUNZHEN,XINLINGGANXIANGGENGJIADEFENGFU。XINGTIYISHUHEYINLEGECIDERONGHECUSHIBIAOYANZHETIWEIYINLEDEYUNLVHEJIQING,XINSHANGZHEYENENGGOUTOURUGENGDUOZHUYILI,TISHENGSHENGLEBIAOYANXIYINLI。CONGMUQIANLAIKAN,SHENGLEJIAOSHIJIAOWEIZHONGSHIXUESHENGDESHENGYINXUNLIANHEYUYANXUNLIAN,DANSHIDUIXINGTIXUNLIANHEDONGZUOXUNLIANBINGBUZHONGSHI。GECHANGSHUYUQUANSHENXINYUNDONG,GECHANGCHUANGZUOHEGECHANGBIAOXIANZEXUYAOPEIHETUOTIEXINGTIDONGZUO,YINCI,XUESHENGZAISHENGLEXUEXIGUOCHENGZHONG,XUYAOZUOHAOFASHENGXUEXI、XINGTIXUEXI、YUYANXUEXIYUDONGZUOXUEXIDEPEIHE。

                            一、声乐表演中形式艺术的重要性

                            (一)形体艺术细节为声乐表演的关键

                          星云棋牌官网下载   ZUOWEISHENGLEBIAOYANDEBIAOYANZHE,ZAIWUTAISHANGXUYAOJUBEIWUTAIKONGZHILI,BIAOYANZHEWUTAIJIAYUNENGLIZHUYAOSHITONGGUOBIAOYANZHEXINGTIYUYANTIXIANDE,XINGTIDONGZUOXUYAOYUYANCHANGFENGGE、YANCHANGZHESHENFENXIANGQIHE,HAIXUYAOXUANZEZUIWEIJINGLIANBIAODAFANGSHI,ZAISHENGLEBIAOYANZHONGJUYOUZHIGUANZHONGYAODEZUOYONG。ZAIWUTAISHANG,BIAOYANZHECHUYUWANZHONGZHUMUDEWEIZHI,RENHEXIAODONGZUODOUCHUZAIDAZHONGGUANZHUXIA,KENENGBUJINGYIDEXIAODONGZUOZAOCHENGZHENGCHANGYANCHUSHIBAI,YOUCIKEJIAN,XINGTIYISHUZAISHENGLEBIAOYANZHONGJUYOUFEICHANGDADEYINGXIANGLI。ZAIWUTAIBIAOYANZHONG,RUOSHIBIAOYANZHEZHISHISUIYIZUOCHUXINGTIDONGZUO,NEIMEBUJINYINGXIANGBIAOYANXIAOGUO,HAIKENENGZAOCHENGBIAOYANZHEJINZHANGQINGXU,ZUIZHONGYINGXIANGBIAOYANZHEBIAOYANSHUIPING。

                            (二)形体艺术为声乐表演注入活力

                            WEILENENGGOUDAZAOGAOSHUIZHUNDESHENGLEBIAOYAN,GAOCHAOSHENGLEJIQIAOZHIGUANZHONGYAO,ERGAOSHUIPINGXINGTIPEIHEYEBUKEHUOQUE,TONGGUOXINGTIYUYANCHANGJIANXIANGHUPEIHEDAZAOHUNRANTIANCHENGDEBIAOYAN。SUIZHECHUANMEIWENHUABUDUANFAZHAN,WUTAIDUIBIAOYANZHEDEYAOQIUYEZHUBUTIGAO,GUANZHONGYEQINGXIANGYUHUODESHIJUEYUTINGJUEDESHUANGZHONGXIANGSHOU,ERZHEIZHONGSHITINGTONGXIANGYECHENGLEXIANDAIBIAOYANDEGUANJIAN。XINGTIYISHUWEISHENGLEBIAOYANZHURUHUOLI,ZHUANBIANCHUANTONGBIAOYANFANGSHI,ZHEIYESHIXINSHIDAIBIAOYANDECHUANGXINDIAN。SHENGLENENGGOUBIAOXIANQINGGAN,XINGTIBIAOYANYENENGGOULIULUCHUQINGGAN。YANSHEN、SHENTIZITAIYIJIMIANBUBIAOQINGDENGXINGTIBIAOYANCHENGWEISHENGLEBIAOYANZHONGDEGUANJIAN,XIEZHUYANCHUZHEYANCHANG,QUEBAOGENGJIASHENGDONGDESHENGLEBIAOYAN。

                            (三)形体艺术突出了声乐表演的人物形象

                            声乐表演过程中,表演者借助形体艺术表达个人内心情感,借助表演者的动作表现人物性格与人物身份,诸如,青年人需要表现出青春活力,老年人则需要表现出步履蹒跚,等,确保不同的人物形象具有特有的行为动作,观众也能够品味人物形象和作品内涵。不同性格人物的肢体语言也存在着差别,诸如,洒脱形体表现乐观人物,稳重形体表现内向人物,声乐表演成为表演者和观众沟通情感的艺术,情感表达需要形体艺术与歌唱共同达成。若是没有形体艺术,那么演唱者无法将歌曲的情感更加生动的传递给观众,观众也无法感同身受,品味歌曲所蕴含的情感,整个舞台效果大大折扣,演唱者的演唱效果也受到非常大的影响。动听声音在声乐表演中至关重要,还需要形体艺术发挥辅助作品,向观众更加完整的体现歌曲艺术魅力,提升声乐表演的感染力。
                           

                          声乐表演中形体艺术的应用探讨
                           

                            二、形体艺术在声乐表演中的运用对策

                            (一)有效应用体态步法

                            ZAISHENGLEBIAOYANGUOCHENGZHONG,GECHANGTITAIZHIGUANZHONGYAO。WEILENENGGOUCHANGHAOGE,NEIMEJIUXUYAOBAOCHIZHENGQUECHANGGEZITAI,ZHENGSHIBIAOYANZHUYAOYOUZHANZIYUZUOZILIANGZHONG,NVSHENGZHUYAOCAIQU“DING”ZIZHANZI,NANSHENGZEGENGDUOXUANZEZHENGBUZHANZI。ZAISHENGLEBIAOYANGUOCHENGZHONG,BIAOYANZHEDESHENTIBAOCHIFANGSONGZHUANGTAI,XIONGBUTINGQI、ZIRANZHANZHI,XUYAOTEBIEZHUYI,FANGSONGBINGBUYIWEIZHESONGKUAYULANSAN,ERSHIXUYAOBAOCHIQINGXUBAOMAN,ERSHIYIJIJIYANCHANGWEIJICHUCHENGXIANZIRANFANGSONGZHUANGTAI。BIAOYANZHEZUOZIYEXUYAOBAOCHIZHILI,BEIBUZEBIMIANJINKAOYIBEI。CONGBUFADEJIAODULAIKAN,BIAOYANZHEXUYAOJIEHEGEQUSUOTIXIANRENWUXINGGEHEGEQUFENWEIDENGLAIXUANZEBUFA,RUOSHIRENWUXINGGEJIAOWEIKAILANGHUOZHESHIGEQUQINGJINGSHIHUANKUAIXIQINGDE,NEIMEYANCHANGZHEKEYIXUANZEJIAOWEILINGHUO、QINGQIAOBUFA;RUOSHIRENWUXINGXIANGWENZHONGDAQIHUOZHEGEQUYIJINGQISHIHUIHONG,NEIMEYANCHANGZHEKEYIXUANZEDAFUDU、JUNYUNHUANMANBUFA。ZAIXUANZEBUFAGUOCHENGZHONG,YANCHANGZHEXUYAOJIEHEZISHENXUQIUXUANZEZUIWEIDETI、ZUIWEIHESHIDEBUFA。

                            (二)有效应用面部表情和眼神

                            SHENGLEYANCHANGGUOCHENGZHONG,CHULETITAIBUFA,MIANBUBIAOQINGHEYANSHENYEJUYOUCHUANQINGDAYIZUOYONG。RENYOUDUOZHONGQINGXU,YIBANLAIKAN,RENLEIZAICHANSHENGQINGXUSHIXUYAOTIXIANZAIMIANBU,ZHEIJIUSHIBIAOQING。GANQINGBUTONG,RENMENDEMIANBUBIAOQINGYECUNZAIZHECHABIE,ZHENGSUOWEI“QINGSHENGYUNEIERBIAOYUWAI”,YANCHANGZHEZAIBIAODAZUOPINQINGGANGUOCHENGZHONG,XUYAOZUOHAOGERENQINGXUKONGZHI,JIANGGERENQINGXURONGRUYINLEZUOPINNEI,CUSHIYANCHANGZHESHENQINGHEZUOPINDEZHENGTIFENWEI、RENWUQINGGANXIANGQIHE,CUSHIGUANZHONGNENGGOUCHANSHENGGONGMING。DOUSHUO“YANJINGSHIXINLINGDECHUANGKOU”,YANCHANGZHEYANSHENZHIJIEYINGXIANGYINLEZUOPINDEKEHUA,YANSHENNENGGOUGENGJIAZHENSHICHUANDIQINGGAN,YANCHANGZHEZAIBIAOYANSHIKEYIQIAOJIEYANSHENCHUANDIQINGGAN,YIGENGJIASHENGDONG、GENGJIAXINIDEFANGSHIBIAOXIANZUOPINZHONGDEQINGGAN。ZONGZHI,YANCHANGZHEZAIYANCHANGDEGUOCHENGZHONG,KEYIJIEHEZUOPINQINGGAN、ZUOPINNEIRONGDENGSHEJIMIANBUBIAOQINGYUYANSHEN,CUSHIGUANZHONGNENGGOUPINWEICHUGEQUSUOYAOBIAODADEQINGGAN。

                            (三)有效应用手势动作

                            ZUOWEI“WUSHENGYUYAN”,SHOUSHIDONGZUOZAISHENGLEBIAOYANZHONGJUYOUFEICHANGZHONGYAODEZUOYONG。SHOUSHIDONGZUOJUYOUDUOYANGXING,NEIMEYANCHANGZHEXUYAOJIEHEGEQUNEIRONGDEJUTIXUQIU,HELIYUNYONGSHOUSHIDONGZUOLAIBIAODAZUOPINQINGGAN,XUANRANLIANGHAODEFENWEI,TISHENGYINLEBIAOXIANLI。SHENGLEBIAOYANZHONGDECHANGYONGSHOUSHIBAOHANYIN、DING、TUO、HE、KAIYUCUOLIUZHONG,YINZHUYAOSHIJIANGGUANZHONGSHIXIANHEZHUYILIYINDAOMOUGEWEIZHI,HUOZHESHIDAIZHEGUANZHONGXIANGXIANGMOUGECHANGJING;TUOZESHITIXIANYANCHANGZHEDERUMUYUCHONGJING,“KAI”、“HE”ERZHEXIANGDUI,SHUANGSHOUZAISHENTILIANGCEBAOCHIZIRANDAKAIHUOZHESHIZIRANHELONG,ZHUYAOYINGYONGYUQIXIKONGZHI。SHOUSHIDONGZUOHAIBAOHANSHUANGSHOUGAODIBIANHUA、SHUANGSHOUKAIHEBIANHUAYIJISHUANGSHOUQUSHENBIANHUADENG,QIWANGNENGGOUTISHENGXINGTIMEIGAN。SHENGLEBIAOYANGUOCHENGZHONG,YANCHANGZHEXUYAOJINJIGECHANGWEIZHU,SHOUSHIDONGZUOZUOWEIFUZHU,BIMIANCHUXIANXUANBINDUOZHU,CUSHIGUANZHONGZHUYILIFENSAN。YANCHANGZHEKEYIJIEZHUSHOUSHIDONGZUOLAISHUFAZUOPINQINGGAN,DONGZUOSHANGBAOCHIZIRANXIEDIAOYUJIANDANDAFANG,BAOCHIJINERBUJIANG、SONGERBUXIEDEZHUANGTAI,CUSHISHOUSHIHEGESHENGDEWANMEIRONGHE。

                            (四)重视台位训练

                            WUTAIZHANWEIZAIXINGTIBIAOYANZHONGJUYOUFEICHANGZHONGYAODEZUOYONG,WUTAIZHANWEIBIANHUAYOULIYUTISHENGBIAOYANDEXINSHANGJIAZHI,YINCI,YANCHANGZHEDEWUTAIZHANWEIFANGMIANXUNLIANFEICHANGZHONGYAO。WUTAIBIANHUAXUNLIANZHUYAOSHIYANYUANZAIJIEZOUXIEDIAOHEBUFADIAOZHENGFANGMIANBAOCHIYIZHI。MEIWEIGESHOUZAIBIAOYANGUOCHENGZHONGDOUXUYAOZHUYITAIWEIBIANHUAHEJIEZOUJIANDERONGHE,YINLEJINZOU、YINLEJIANZOUTONGBANWUDEPEIHEGUOCHENGZHONG,XUYAOSHIXIANZIYUANJIANDEJIAOLIU。ZAIWUTAISHANG,YANCHANGZHEKEYISHIDANGBIANHUATAIWEI,MAIKAIBUFA,TONGGUANZHONGZHIJIANXINGCHENGYOUXIAOHUDONG。TAIWEIXUNLIANSHI,XUYAOZHONGSHIWUTAIHUANGJINFENGEDIAN,ANZHAO4BI6DEWUTAIBILI,SHIXIANTAIWEIDEZUIYOUHUA。YANCHANGZHEZAIXUEXITAIWEIBIANHUASHI,XUYAOJIANGJIAOXIABUFAQIBUHEYINLEJIEZOUXIANGJIEHE,ZHANGWOQIBUYUZHUANSHENDEZUIJIASHIJIYUSUOZOUJULIZHANGDUAN。ZAIMAIBUXUNLIANSHIZEXUYAOZHONGDIANGUANZHUBUFAJIEZOU、BUFAZHANGDUANYIJIBUFAPINLV,JINKENENGBAOCHIYOUMEI,BAOCHIJIAOXIADEZHANLIZHONGXINHEZOULUZHONGXINDEWENDINGXING,QUEBAOZHONGXINZHUANYIHEJIEZOUZHIJIANDEXIEDIAO。CIWAI,ZAITAIBUXUNLIANZHONG,HAIXUYAOQUEBAOQIBU、JIAOLIU、ZHUANSHENDENGHEYINLEPEIHE,HAIXUYAOKAOLVDAONANSHENG、NVSHENGZAIZHANZIYUBUFAFANGMIANDECHAYI。

                            三、结论

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                            参考文献

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                            [2]刘国涛.论声乐表演艺术中的情感因素[J].当代旅游,2018(4):77-77.
                            [3]熊陈.论声乐表演的艺术美——想象在声乐表演艺术中的作用[J].作家,2011(8):210-211.
                            [4] 朱灵.论声乐表演艺术的形体语言[J].环球市场,2015(3):125-125.
                            [5]陈莅菡.声乐表演艺术的形体语言研究[J].黄河之声,2017(14).
                            [6]王卿.试析声乐表演中形体艺术的运用[J].北方音乐,2018,38(6):59-59.

                            李萌.论形体艺术在声乐表演中的运用[J].大众文艺,2020(02):215-216.
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